The Best and Worst Films of 2016

Greetings readers, and Happy New Year!

2016 has come to a close, and this blog is almost officially one year old.  This year consisted of a variety of content, most of which has been well received.  One of the biggest parts of this journey has been determining what I want the blog to focus around. Given that my content this year has been heavily focused on film reviews, and that it is something I am very passionate about, this piece will be dedicated to the best and worst films of 2016.  This year has seen many great films, many downfalls, and even a few surprises here and there.  With that, this will not be a simple ranking of best and worst films, but the most noteworthy films in unique categories I have chosen.

Now, when I say "Best and Worst of 2016", it means the best and worst of the films that I reviewed.  You see, I don’t spend full weekends going to my local theater and catching all the latest releases.  I see films that I want to see, and some films simply aren’t worth my time.  I’m a senior in high school, and I don’t have time to catch every new release each week.  To add to that, Huntsville is a fairly small city, so limited release movies are rarely in theaters where I live.  I’m sure that there are films out there which are far worse than the "worst" on this list, and the same can be said for films better than the "best" on this list.  These are simply chosen among the films I reviewed on the blog this year, and this is by no means my definitive list of best and worst movies of 2016.

Biggest Surprise: Arrival and Zootopia

Both of these films have something to offer beyond their marketing and trailers, and each in a unique way.  



Zootopia is a simple talking animal crime noire movie on the surface, but it tackles a slew of social issues facing the world today.  It sends a powerful message to both adults and children in a very subtle way, all while delivering a beautiful, emotional, and hilarious animated film. 

Paramount Pictures

Paramount Pictures

Arrival is a sci-fi blockbuster with the powerhouse filmmaking talent of an Oscar winner.  The way it so smartly used sci-fi in a year littered with mindless action blockbusters made it a breakout hit among critics and audiences.  It captures human emotion in such a creative and timeless way that it will surely be a film anyone can relate for decades to come.

The reason these two films are a tie is because they both meet this category's criterion so well—they surprised me.  Both surprised me in different ways which made this decision very tough.  For two films that stood out in a great year of filmmaking, they both deserve this accolade.

Biggest Let-Down: Free State of Jones

STX Entertainment

STX Entertainment

This film was beaming with potential, and could have been one of the greatest films to release this year.  It had great acting talent, and Matthew McConaughey for crying out loud! It also explored a very obscure portion of American history; some Confederates during the civil war who led an insurgence and sided with the Union behind enemy lines.  It was a new angle to a war which has been viewed up until now simply as good vs evil (at least in film), and that no one on either side expressed a little bit of discourse.

What we got was a film with a great opening twenty minutes, and the remaining two hours were nothing but filler with stale acting, a boring story, little to no action, and speech after speech after speech from Matthew McConaughey.  It’s the first film of his in awhile where I feel he brings almost no charm, something he’s known for as an actor. To his credit, he doesn’t have good writing or good characters on his side, either.

Free State of Jones is watchable, but it is a film which I walked out of feeling depressed, disappointed, and wanting.  Thus, it is 2016’s biggest let down for me.

Best Superhero Film: Deadpool

20th Century Fox

20th Century Fox

Marvel properties undoubtedly topped the list of superhero flicks this year.  Though Marvel Studios rolled out many great products like Captain America: Civil War and Doctor Strange, I believe the honor of best superhero film goes to Deadpool, a movie whose rights belong to a different studio entirely.

Deadpool had almost everything going against it; an R-rated comic book movie starring a somewhat obscure superhero released in early February and distributed by 20th Century Fox.  But, this would go on to be many moviegoers’ favorite superhero movie of 2016, landed one of Marvel’s biggest releases ever, and became the #1 grossing R-rated movie ever. 

What puts Deadpool on top is its simplicity.  It is not a massive comic book movie with over a dozen characters, trippy action sequences, extensive lore, and iconic locations.  It’s a small film that takes place in a bad neighborhood in Vancouver of all places.  It utilizes grounded action sequences with lots of practical effects.  This grounded feel is much thanks to the director, Tim Miller, a genius in visual and practical effects.  The R-rating allows the film to explore areas where other films of the genre cannot with PG-13.  It allows a full range of emotion, comedy, gore, and crude humor, which, like it or not, makes the film feel more real and genuine.  I can’t believe I’m saying this about Deadpool, but the film feels more personal to me than other films of the genre this year for these reasons, making it my favorite superhero film of 2016.

Best Animated Film: Kubo and the Two Strings

Focus Features

Focus Features

2016 was a great year for animation lovers like myself.  At the end of the day, the accolade for 'best' goes to Kubo and the Two Strings.  The film shows what Laika is truly capable of from both a story and creative standpoint.  The way the film captures family conflict feels more genuine than the likes of Disney, and the simplicity of the story makes it all the more relatable.  The stop-motion animation is stunningly gorgeous and makes such an arduous task seem effortless on the big screen.  It is birthed from strenuous work on behalf of a creative, persistent team, which makes it deserving of the title of 'best'. 

Worst Film: The Accountant

Warner Bros. Pictures

Warner Bros. Pictures

*Ben Affleck's expression in the still above perfectly describes this movie. 

Of the movies I reviewed this year, the ones competing for this spot were Batman v Superman, Suicide Squad (I was too nice to this film in my review), Hail, Caesar!, Free State of Jones, and The Accountant.  Don’t get me wrong, I’m sure there are far worse films which received a theatrical release this year, but among the ones I saw, The Accountant ranks the worst.  

At the end of the day, every other film on the 'worst' list at least gave me something memorable. The Accountant has nothing; no substance, no charm, not a hint of life in it.  The acting is rubbish, the plot is confusing, there isn't a single action scene to redeem itself, and it’s a total waste of good actors.  It has the perfect premise to be a good action thriller, but foolishly throws that opportunity out the door because it is so haphazardly mishandled. 

If you want to hear more about The Accountant, you can read my review, but among the films I saw this past year, it is without a doubt the worst. 

Best Film: Manchester By The Sea

Amazon Studios

Amazon Studios

This hallowed spot was a race between La La Land, Arrival, and Manchester By The Sea.  All of these films are great, human, and unique.  What made me toss Arrival was the fact that Manchester and La La Land both feel more grounded than the sci-fi drama. If you read my La La Land review, you would know that I feel it has a few flaws.  Had these flaws been absent, it definitely would have been my favorite film this year, but that position has to go to Manchester By The Sea, instead.

Manchester By The Sea is an utterly human character study of Lee Chandler, played by the now honorable Casey Affleck.  Affleck’s powerhouse performance feels so natural, it is as though I’m watching human interaction as it naturally plays out.  Kenneth Lonergan genuinely captures trauma in his directing and writing, as it is the epicenter of the film’s story.  It is a film about life itself, and appropriately feels like stepping into the life of its main character. The film has no strict three-act structure, no definite climax or resolution, and is open to interpretation of it’s preceding and succeeding events.  This only adds to the life-like feeling which radiates from the film. The aesthetic of the film compliments Lonergan's genius with rich cinematography and music.  Though it deals with emotionally heavy issues, it is one of the most charming movies I've ever seen because the audience can connect with the characters like they were lifelong friends. It is because human nature is captured so elegantly in great performances, writing, and directing, that it is my favorite film of 2016.

Looking back at all the films I reviewed made me realize how many movies I saw this year, and how much this blog really pushed me to get out and see more movies.  With 2016 behind us, there are many more exciting stories to look forward to in 2017 which I can’t wait to discuss with you all.  If there is a film you would like me to review at my discretion, remember you can make requests by emailing me at the address provided in the Contact page. 

Thank you all for reading this year! Be on the lookout for more content to follow very soon.  

-David Brashier; Huntsville, Alabama; January 2017

Stranger Things and My History with Netflix and TV

Here’s something about me: I hate TV.  

I loved TV as a kid, but I never watch it nowadays unless someone in the house is already watching. I can’t recall the last time I genuinely wanted to catch something live on TV unless it was a recent Olympic event, or maybe a Star Wars trailer debut (because that’s the popular way to get people to tune in these days).  The only time I find myself watching TV these days is when my dad is watching Seinfeld, just because I love Jerry Seinfeld.  There was a time when I attempted to catch The Walking Dead on Sunday nights, but after about five weeks I couldn’t keep any consistency, so the episodes collected dust in my DVR.  Simply put, I can’t be expected to take an hour out of my day to position myself in front of a TV and keep up with an episodic plot for a 16 episodes in a season.  I don’t see how we as people are able accomplish such a task nowadays, and I don’t see how we’ve been doing it since the1950s.  (Though I can say that I’ve seen every episode of The Cosby Show because I binge-watched each season on DVD in elementary school, because who has anything better to do when you can’t drive?)

Here’s something else about me: I hate TV on Netflix.  

A few years ago I binge-watched the first 4 seasons of The Walking Dead on Netflix.  Funny thing is, I haven’t even watched The Walking Dead since I finished season four.  I’ve seen the first 4 episodes of Daredevil, and I couldn’t tell you anything about the show beyond that.  As much as I am a Marvel fan, I can’t bring myself to watch the Netflix series, even though they’re pathetically easy to view.   All too often I’m asked if I saw the new season of House of Cards or Making a Murder, and all I can say is "I don’t watch Netflix".  

Another funny thing is that I’ll watch a two-hour movie on Netflix almost every weekend, but I can’t bring myself to binge-watch an entire season or series.  The idea of a digital series sounds like a great idea; The entire season is ready to go from day one and you don’t have to facilitate time to watch it each week or set a DVR recording.  But there’s something that bothers me about the time I lose watching so many seasons. 

Here’s the problem: most TV seasons last 16 to as much as 22 episodes, and for me, that’s just too much.  I’m the kind of person who tries makes myself busy every second of the day.  I choose to fill that time with writing, reading, analyzing a film, traveling, or getting out of the house whether for leisure or for business.  When I watched the fourth season of The Walking Dead, I was confined to a beach condo with my family for an entire week.  I had the time to watch all 16 episodes in bed because I wasn’t going anywhere else, and I had nothing better to do.  In my everyday life, I just don’t have time for TV, and I especially don’t have time to watch an entire season of a show all at once. 

For me, a film averages about 1.5 to 3 hours.  A film’s story is contained entirely within itself, and when I’m done watching, I’m done watching.  A single episode of a TV series averages about 48 minutes.  Now take that 48 minutes and multiply it by 16.  That’s nearly 13 hours spent watching a season; over half a day.  And if there’s more episodes to a season or more seasons to watch, it’s even more time.  

I understand that for many people this practice is commonplace, and really, kudos to them.  I marvel at the fact that people can be so invested in a story that they watch entire seasons in short periods of time.  It’s something that’s engrained in our culture and I honestly think it’s healthy for people to do.  In an age of terrorism, presidential elections, and a lack of common sense, getting invested in a world of fiction for awhile can be a good thing.  It’s probably what’s keeping some of us sane in this crazy world we live in, provided that it’s not too addictive.  I believe something like Netflix can be just as addictive as drugs, but as long as it isn’t consuming every waking moment of our lives to the point of never coming out of our homes for a time, it can be okay. 

Yes, I would love to be an expert on all things The Walking Dead.  Yes, I’m sure House of Cards is a compelling, mind-twisting show.  Yes, I’m sure Daredevil has some badass moments.  But I can’t be expected to find time to watch every episode of these shows just to catch up with everyone else, and until I find that time, those awesome moments are going to have to wait. 

Enter: Stranger Things.  Last week I finished watching this highly acclaimed Netflix series; the only streaming-exclusive show I’ve watched in full. Throughout July, this showed up everywhere on Facebook, Instagram, YouTube, and was the buzz among many conversations I had.  Everyone kept going on and on about how it’s possibly the greatest show of all time.  I began to look into it, and just by watching the trailer, I could easily tell that this show was a love-letter to films of the 1980s, what could easily be my favorite era of moving pictures.  The show had only been out about three weeks when I first came across it, but I ultimately caved and played the first episode.  



The first few minutes didn’t hook me.  It did just as lousy a job of getting my attention as any pilot episode to a drama series.  "Wow", I said, "your product placement and '80s style synthesizer music is really cool." 

Then our main character gets kidnapped, and the opening title plays.  

The theme song and opening titles is one of the best things about this show.  It’s so simple, yet can draw anyone into what’s beneath.  The music is filled with mystery, suspense, and whim; it’s enchanting.  The font is just like anything you’d see in an '80s movie, and it’s even blurred to look like it’s o an '80s television set.  The screen cuts to black, and the words 'Created By The Duffer Brothers' flies at your face, and from here it only gets better.

This show manages to accomplish so damn much.  It handles drama on one of the most relatable levels that so many other shows or films fall short of achieving.  It’s a dramatic show, but it can handle utter sadness, it can handle comedy, it can handle horror; it can handle so many human emotions which seem impossible to fully capture on screen.  Humans are emotional beings, but it’s rare that we manage to replicate our entire range of emotion in a man-made medium.  There are movies and shows that make us do nothing but laugh, or feel nothing but suspense, or only make us scared, or can only make us cry. Stranger Things is able to do all of this.  It captures every human emotion through its characters and story in a way that has never been perfected in a way such as this.  I’ve never cried at anything on screen before; I can get emotional, but I’ve never cried.  Stranger Things had me bawling by the last episode…but it also made me scream laugh, smile, and yell "Don’t do it!", at my laptop. 

Part of what makes this show so great is that the characters are so great.  Every character feels like a real person that anybody would know.  There are no cliches in the entire main cast or even the side characters.  What they manage to absolutely nail are the kids.  The kids are played by some of the greatest child actors I have ever seen.  They’re annoying, obnoxious, they eat junk, they get into mischief, they act tough and swear, but in reality they are as weak as the skin on their bones.  They each have their own weaknesses which they try to hide from their peers but still have to deal with the fact that they have them.  It’s something that anyone who’s been through elementary school can relate to.  Most kids on the silver or small screen aren’t believable because of horrible writing or bad acting.  This is one of the only time I’ve related to a young child on screen because I can relate to something I once struggled with at the same age.  Most movie kids are just stock kids, and are only there to move the plot along, but Stranger Things makes kids more than just plot devices or pawns; they’re characters; they’re people.



The adult cast is just as stellar.  The police chief, Hopper, is a lovable guy and has total control of every scene he’s in.  However, he’s a damage person.  He has a past which gets the best of him and he’s willing to do whatever it takes to avoid going down that path again, or allowing anyone else to do the same.  The main character’s mother feels like a real mom.  She’s willing to do whatever it takes for her family and will stop at nothing for their safety.  There’s another mother character who feels genuine as well.  She concerns for her family, but she’s willing to listen to her children’s problems and talk things out.  So many times the mother character is played for comedy or is the villain of a story, but here they feel like genuine mothers who could just as well be one’s own.  

The entire story takes place in the backdrop of small town Hawkins, Indiana, however the setting is so well selected it doesn’t matter.  It’s a typical small town, but it’s anyone’s town.  Anyone can relate to this place because it’s blank.  It feels more like home than an iconic cityscape or big, grand locale.  Sometimes filming in a massive city ins’t always the greatest choice.  While it may provide great opportunities for cinematography, not everyone calls the concrete jungle home.  

Stranger Things uses it’s setting to the fullest by not only capturing 1980’s perfectly, but even paying homage to films of the era.  It’s clear that it takes a great amount of inspiration from 1980s films about kids getting into mischief such as The Sandlot, Stand By Me, or E.T.  The show is also a love letter to Stephen King and horror elements used in his books.  Stephen King is the man who made me want to write in the first place, and there’s even a flashy cameo of one of his novels in one episode, and later in the series they flat out mention his name.  Needless to say, it sticks to the philosophy of respecting the past while embracing the future. 

When it’s all over, Stranger Things holds its own.  It leaves a few doors open as always, but it doesn’t leave me with a thousand questions as to what happens next like other shows or movies such as Star Wars Episode VII.  I don’t need to come up with theory after theory as to what happens next because I don’t need a 'next'.  There are rumors of a second season in the works, but honestly, it’s not necessary.  I would love to see more of these characters, but simply put, what we already have is perfect.  Stranger Things is one of the greatest things put to the screen.  It’s a flawless masterpiece which parents will pass on to future generations for decades to come.  If I’m completelyhonest with myself, I don’t want Stranger Things to be placed in the category that so many other shows fall victim to.  Some shows start off slow and then have a handful of seasons which are considered its prime, only to fall off for a few more seasons.  Some shows start of fresh and continue to build, only to crash and burn at the end.  It’d be a shame to see Stranger Things eventually drop in quality, only to be thrown in the bin of other shows which have lost their identity for following the same formula of other shows of their time.  It’s not what I want for this show, and I hope that this is a case where people can learn to enjoy what they have, instead of crave for more and never be satisfied again.



This leaves one question: Why did I break my eternal code with Netflix for Stranger Things?

For one thing, Stranger Things as a streaming exclusive show does a number of things differently than other shows.  For one thing, it keeps the run time to the average of 48 minutes, sometimes going a little shorter or longer.  Secondly, there are only 8 episodes, which is the magic of this thing; it manages to tell its story in a shorter amount of time which other shows would demand twice as much.  Because of this, Stranger Things is able to use its time to the fullest.  When a drama TV series has as many as 16 episodes or more to a season, it allows for a lot of meandering in the plot.  The Walking Dead always has the occasional episode where I think, "Well, nothing happened there." I never had to say that for Stranger Things.  Every episode satisfied every minute of its runtime which left viewers hungry for more.  Because of this people are feeling more fulfilled when they finish watching Stranger Things’ than they do for a more exhausting 16 episode season.  

Another thing which makes Stranger Things work is that it’s basically tailor-made to be streamed.  Had this show been on primetime television, it just wouldn’t have worked.  There would be too much space between each episode for anyone to care, and commercial breaks could easily break the emotional appeal.  No commercials means that viewers can take in every aspect of the episode for what it is.  Viewers can also watch the show at their own pace, rather than being enslaved to waiting one week between each episode, which helps the pacing of the show flow more smoothly.



Now that I have officially watched a streaming-exclusive show in its entirety, I can see a lot of the positives in the concept.  Having every episode at the viewer’s disposal is great, and less episodes means there is less fluff and more buff.  Maybe Stranger Things is the dawn of a new way TV shows are done these days.  So many TV shows nowadays are streaming exclusive, and there will likely come a day when TV is only streamed, given how many people are abandoning cable.  Maybe we’ll start seeing TV seasons with less episodes due to less demand because writers can make more with what they have.  While this would be nice, we must understand that Stranger Things is a special case; the first of its kind, really.  Again, as I said before, I haven’t watched Netflix to the extent many people do, and I made a special case for Stranger Things.  Maybe I would start watching streaming exclusive shows more it there were less episodes, but who’s to say every show will suddenly adopt the Stranger Things formula?  Even if House of Cards and Orange Is The New Black were only 8 episodes to a season, I doubt that would convince me to watch them.  Stranger Things for me was a special case, and it’s unlikely that this will change my opinion of TV and convince me to stream other shows.  With that, I’m glad I facilitated time over the last few weeks to watch Stranger Things.  I enjoyed every moment of it, and I’ll say it was time well spent.

-David Brashier; Huntsville, Alabama; August 2016

Book Review: Darth Plagueis

James Lucano ventures to an unknown area of the Star Wars mythos in Darth Plagueis.  It’s a piece of Star Wars lore very few can say they are familiar with, as it was only alluded to in one of the better sequences of Revenge Of The Sith.  However upon reading this novel I can not only say that the mysterious Sith Lord is not only one of the most interesting characters in the Star Wars mythos, but the narrative around him is one of the most compelling stories I’ve read in a novel for a long time.

The character of Darth Plagueis is typically overlooked or unheard of among casual Star Wars fans due to the lack of information provided about him in the films.  But anyone who has read this novel should shutter at the mention of his name. Readers follow Darth Plagueis throughout vast portions of his life and learn about how he was raised, became a powerful political figure in the galaxy, and eventually a Sith Lord.  What makes Plagueis’ character work is self confidence.  He thinks he’s too big to fail, and even when he encounters a flaw in the plan, he goes to desperate measures to mediate the situation.

Another great aspect to Plagueis’ character is how he explains The Force in relation to both the Sith and the Jedi.  The Jedi are never at any point perceived as a good thing in this novel, and readers are convinced that perhaps the light side isn’t such a good idea in and of itself.  Plagueis does this by showing that not allowing emotion to play a factor in one’s use of The Force doesn’t allow the user to achieve its full potential.  Anyone who has watched the films gets the gist of this concept, but the way Plagueis handles the situation makes me want to turn to the dark side.  I never want to be a Jedi after reading this book, and I can only question the reasoning behind staple characters such as Obi Wan and Qui Gon Jinn, and how they would willingly submit to an organization such as the Jedi Order.  The book perceives Jedi training in a negative light, and for a good reason too.   Why would anyone want their emotions suppressed for the sake of good?  The dark side wins in this regard.

One of the best things about Darth Plagueis is the way it sets up the events of the prequel trilogy, and the finale actually occurs during the events of The Phantom Menace.  We get to see Darth Maul’s origins, the formation of the clone army, and how different aspects of the so-called "Grand Plan" were funded through Plagueis’ political power.  The best part?  Palpatine’s training.  We witness Plagueis’ acquaintance with Palpatine from his youth, and the imagination is challenged to somehow find a look for a young version of the lovable Sith Lord.   I don’t think any two perceptions of him will be similar.  We see how the dark side works through Palpatine’s training as he is driven to such desperation by Plagueis he has no choice but to submit to him.  As a Sith Lord, we see how Palpatine formulated his rise to power as the Supreme Chancellor, and the novel wraps this in a clever way by making the laughable events from The Phantom Menace not only understandable, but serious. 

Darth Plagueis, though it has some lull spots, is one of the best books I’ve read in awhile.  It manages to take a character the Star Wars fanbase knew little about and make him one of the most interesting characters in the Star Wars mythos.  It utilizes the Star Wars galaxy to its fullest potential and isn’t afraid to harp on issues that publicly defaced the saga in the prequels.  If anything, this guy deserves a solo film, and I wish that Disney would consider making this novel canon again, as right now it’s considered to be in the "Legends" lineup of novels.  Though for now it remains non-canon, any diehard Star Wars fan should give Darth Plagueis a read.  It’s fun, compelling, and will give readers a better appreciation for being Star Wars fans. 

-David Brashier; Huntsville, Alabama; July 2016

Film "Piracy" On Instagram Could Ruin Social Media As We Know It

We live in a day and age where piracy is very common, yet still illegal, and rightfully so.  You’re simply not allowed to film a movie or parts of a movie in a cinema, and exploit them on the Internet.  Such practice is known as "camming", an unwise decision which only produces poor quality videos anyway. Some might argue that people should be allowed to revisit their favorite portions of a movie upon leaving the theater since they’ve already paid for their ticket.  Maybe there was a moment that gave the viewer chills or perhaps made them laugh their ass off. It’s much easier to produce clip via the Internet than have to pay for another ticket and spend two hours seeing the movie again.  But is it really worth it?  Do we just absolutely have to see that movie again?  It’s customary to see the movie in theaters, see it again if it was outstanding, and then be satisfied until it comes out on DVD, or even earlier via digital nowadays.  Are we really that keen to see a movie again upon leaving the theater?

I remember when The Avengers came out in 2012, and one of everyone’s favorite moments was when Hulk beat Loki like a rag doll in the Stark Tower penthouse.  In looking at Avengers stuff on the Internet after I had seen the film, and managed to find a cammed clip of the scene on YouTube.  The audio wasn’t great and it was in French, but it made me smile again.  About a week later, the clip was nowhere to be seen.  This was fully understandable back then, but nowadays, it’s rare to find a cammed clip on YouTube.  What’s also hard to believe, is that the Hulk scene from The Avengers is currently uploaded by dozens of channels on YouTube.  I can now search "Hulk beats Loki" on YouTube and I could find numerous videos of the same clip that was originally cammed with better audio and video.  

What’s also interesting is the extent of how many movie clips are actually on YouTube.  If there’s any moment in the history film that you want to see in the form of a clip, you will most likely find it on YouTube, even if it wasn’t in a marketed trailer.  You can see the spoiled ending to most of these movies via a clip.  Now if someone were to upload a film in it’s entirety with it’s original format, it’s likely to get removed.  Part of this is because it’s now possible to view movies on YouTube which are purchased through Google Play.  But, if the whole movie is already on YouTube with quality audio and video in the form of short clips across multiple videos, what’s the point in paying money for it?  Now, I’m sure that very few people have actually watched a full movie on YouTube in the form of clips, as it’s a very inconvenient way to watch a film. Plus, people who upload nothing but movie clips are probably only interested in getting views and subscribers for their channels, or for the sake of monetization.  But if I want to watch Harry Potter kill the Basilisk in Chamber of Secrets, and that’s all I want to watch, it’d be convenient for my time if I could just find the clip on YouTube.  Otherwise, I’d be putting in my Chamber of Secrets DVD and going to scene select and viewing it there. 

The reason I find the vast number of movie clips on YouTube so odd is because of the recent infringement of Fair Use Policy by production studios on YouTube.  If you’re uninformed about what this is, there’s an entire video explaining it here (credit to Channel Awesome on YouTube), but essentially, numerous "YouTubers" who use movie clips in their videos under Fair Use Policy (meaning not for profit), are having copyright claims placed on their videos in which studios can essentially have the video taken down, or even gain profit from the video’s monetization.  So basically if I were to make a video of my Iron Man review and upload it to YouTube, and I used clips from Iron Man, there’s a chance I could have my video removed by Marvel/Disney if they place a copyright claim on my video, or if I had a monetized channel, they could gain profit from my video instead of me.  

So if people aren’t allowed to use clips in their film reviews, but hundreds upon thousands of unaltered movie clips still stand on YouTube, why haven’t all of these clips disappeared?  It’s rare nowadays for a cammed movie clip to last more than a day on YouTube, and understandably so.  If the studio hasn’t officially released the clip to the public via the Internet or Blu-Ray release, they have the right to remove it.  It’s also not fair to have the cammed clip available to people who maybe haven’t seen the movie yet and would otherwise spoil it.  But if entire films are on YouTube in the form of unaltered clips, why have the channels that upload them gone untouched by studios who are infringing Fair Use Policy?  What gives them a pass, and not critics?

This has all become a serious problem for professional YouTubers, especially in the last year.  YouTube critics who have a right to express their opinion are having money taken from them, or have had their videos removed altogether, even if they follow Fair Use.  What’s worse is that now some videos can even be removed for using officially released images and stills of movies, again even if they follow Fair Use.  This is a horrible mess that YouTube themselves have a duty to clean up as a company, and are doing very little about it. 

I bring all this up because we’ve witnessed the downward spiral of film studios taking advantage of their ability to place copyright claims on film clips and remove videos.  The problem is that it’s not just a removal of a YouTube video, but an infringement on free speech.  I agree with the fact that studios do have a right to remove cammed clips, but to remove a review that follows Fair Use and is non-profit isn’t fair while there are thousands of unaltered clips uploaded to YouTube that go untouched. I believe that what we’ve seen happen with YouTube can very easily be applied to social media, and risk ruining the medium as we know it.  Namely in Instagram.

I love Instagram, and I’ve been a user since 2012.  There are very few annoying ads like Facebook, you can unfollow people who post ads or fake stuff, and the things that genuine people post are fresh. Whether it be artwork, someone working out, rock concerts, or nature photographers, Instagram has something for everyone.  Many people like to run an Instagram with a consistent theme.  For some, it’s puppies.  Some really like Nike shoes.  For many, it’s movies.  I follow a number of movie accounts which are themed to a specific franchise which post stills, fan edits, fan art, and short clips of movies. These are usually very well known clips such as "No, I am your father", or "I’m bringing the party to you".  Instagram (originally) allows 15 second videos to be posted, and for a movie account, fifteen seconds is all anyone needs.  However, I’ve noticed a trend among many of these film-themed accounts recently; camming.  

Within the last six months the world has seen the release of two juggernauts in the film industry, Star Wars: The Force Awakens, and Captain America: Civil War.  After Star Wars had been in theaters for awhile (which was a long time), I began noticing cammed clips of the movie showing up on Instagram. It’s conceivable that by this point in the film’s release (February and March), that almost everyone on the planet had seen the movie, and clips wouldn’t come off as a spoiler to anyone. However these were clips of very central moments to the film’s plot, and I was honestly surprised that Disney as a company had allowed them to slide.  But to my surprise, the clips didn’t go away.  What was even more surprising was how good the clips looked.  They were good quality clips with no shaky came, and the audio, though a bit muffled, was completely audible.

Fast-forward to May, and Civil War comes out.  The movie was a smash hit, and everyone loved it.  However, within the first two weeks of the film’s release, cammed clips began to show up on Instagram. What’s worse was that between The Blu-Ray release of The Force Awakens and the theatrical release of Civil War, Instagram had raised their limit on the length of videos from 15 seconds to a full minute.  Now, you can find large portions of the airport fight scene on Instagram.  "Move your seat up" is there too. Images and gifs from the final fight between Tony and Cap can be found, which means someone had to have cammed them. Civil War hasn’t even been in theaters a whole month yet, and you can easily find these clips on Instagram, just search #CivilWar.  The users who post the cams act like it’s nothing, when clearly it’s an illegal practice.  The clips of Civl War, while still obviously cammed, look and sound even better than the ones from The Force Awakens.  

Now, you may be wondering how good quality camming is even possible when you consider how strictly theaters and movie studios crack down on cammers.  Well, the movie industry is a big deal nowadays, and cinemas like AMC, Carmike, or Regal are likely to crack down on cammers because they’re such huge theaters.  But that doesn’t account for the fact that there are still smaller theaters out there, some owned by small companies or are discount branches of these large cinema corporations.  Some of these cinemas are entirely independent.  It’s conceivable for a cammer to go to a small town dollar theater with low security on a weeknight to the latest showing of Civil War.  They could smuggle a collapsable tripod in their backpack with a decent camera and record the entire movie because they’re the only person in the theater.  It’s also conceivable that the same person can download the clips of Civil War onto their iPhone and proceed to periodically upload them to Instagram.  

The funny thing is that I don’t see any of these clips on YouTube.  In this day and age, it’s too risky to upload them.  But what’s the difference between YouTube and Instagram? For one thing, YouTube is enabled with copyright and Anti-Piracy Coding to detect movies and clips that have been uploaded illegally, including ones that are cammed.  Instagram doesn’t have anti-piracy coding, so people are allowed to post anything they want.  Now to be fair, there are far worse things you can find on Instagram such as political photos, fake ads, sex ads, practically nude photos, blackmail and other posts.  But Instagram also makes an effort to avoid such content by restricting the use of inappropriate hashtags and downright removing inappropriate photos.  That still doesn’t change the fact that garbage shows up in my "featured" feed, but that’s another story for another time.  Basically, Instagram has no control over these cammed clips.  They can’t remove them because they’re not inappropriate, and there are no restrictions as to what people can post to Instagram. Since the footage is likely edited before it goes on Instagram, it isn’t unaltered camming, and thus nothing can be done about it.  Plus, it’s much easier for someone to post a clip to Instagram than YouTube.  It’s a less complicated system.  Plus, there are far more people with Instagram accounts than YouTube accounts, so tracking these cammers is a total disaster.  These clips get around fast on Instagram, and Instagram as a company simply can’t remove these clips with the push of a button to the extent that YouTube can.  

So, what am I getting at here?  Well, it’s quite possible that production studios can do to Instagram what they have already done to YouTube.  Pressure from these studios on Instagram could result in Instagram enacting a policy in which studios are allowed to remove clips from accounts, or even shut down accounts altogether.  You may think "Oh, it’s only for hunting down cammers…".  Well, that was true for YouTube a long time ago, and it has evolved into the cancer that it is today.  This could give studios the power to remove clips that are already available to the public.  And the thing is is that people can’t make money off an Instagram account like they can with YouTube, at least not directly, so Fair Use isn’t even a question here.  Since studios are able to remove images from videos, they could just as easily do the same for officially released images posted to Instagram accounts not their own.  A younger Instagram user who just saw the latest Marvel movie, may post an officially released screenshot or poster from the film to his account.  He could log back on only to find his account shut down. 

You may think that this would only apply to Instagram accounts who post cammed clips or movie related images.  But who’s to say the madness will stop there.  Let’s remember that this is also a sketchy issue in the gaming industry.  Nintendo made the controversial decision to forcibly make profit off of anyone’s video on YouTube featuring their games and they still crack down on their copyrighted material today.  Nintendo claimed that this was to encourage users to use MiiVerse on the Wii U.  Who’s to say that other industries won’t be willing join the craze as well?  Many Instagram accounts feature music videos.  The music industry could easily bank here.  What about cars? Retailers? Fashion? 

Again, this is all a scenario.  But we’ve seen power corrupt on YouTube because companies wanted total control over their content and were willing to infringe people’s right to free speech for the sake of profit.  We’re witnessing Instagram become an uncontrolled mess and sooner or later, companies will want control.  We’re first going to have to answer the question as to how this issue will be resolved on YouTube to further determine if it will cross over into other mediums such as Instagram. 

So why am I writing this?  Well, I’ve used YouTube since 2007 when I had a friend over at my house show it to me.  Back then, it was a simpler time.  The videos weren’t great by today’s standards, but we were fascinated that the videos were even there to begin with.  Nowadays, that charm is dead.  YouTube is now a business.  That’s not to say that there are still highly talented people on YouTube who should be making money off of their creative content.  But the fact that studios and corporations are allowed to abuse YouTube for their own sake and infringe free speech is just wrong.  

When I first started using Instagram, the charm was very similar to when I first started using YouTube.  The photos weren’t the quality they are today, but I was happy to even have photos to begin with.  There were nice things people posted, and it supplied a cornucopia of memes for people to laugh at.  Instagram has had a six year lifespan, and YouTube has eleven years under its belt.  I have since seen Instagram undergo similar changes now that YouTube did back in 2010 when it was six years old.  It has a featured page, you can post minute-long videos, and unfortunately, Instagram now has ads.  What I don’t want to see is the social media service that my 13-year old self fell in love with in 2012 turn into a business that can be abused by studios and big corporations.  Instagram is still an expressive medium just like YouTube in which people are allowed to exercise free speech.  And whether it stays that way isn’t a decision to be made by Instagram or the corporations themselves, but by us.  The millions users who make up social media today and are capable of supporting real change.

-David Brashier; Huntsville, Alabama; June 2016

Spring Break 2016: A Journey West

For Spring Break, me and my family took a "road trip" to the Southwest United States.  We’ve never been to the desert before, so I was definitely excited to see a new terrain.  

Friday afternoon we took a flight to Las Vegas, which would be our hub for our little adventure.  Upon arriving we were welcomed with some dry but warm air, and were greeted by a very polite taxi driver.  During our time in Vegas, we stayed at the New York, New York Hotel and Casino, located directly across the street from the Famous MGM Grand.  The first thing we did was ride a roller coaster that boards inside the casino, and is possibly one of the most intense coasters I’ve ridden.  You could watch an SNL sketch in the time it takes you to make the first climb.  After that we ate dinner, and browsed the MGM Grand.  Having been two hours behind our clock, we decided to retire after that.

On The Strip

On The Strip

Saturday morning I ate breakfast at a cafe, and then walked "The Strip" with my family.  I can certainly say that being in Vegas is like walking through a Vogue magazine.  Everywhere I looked, someone or something was trying to sell me crap.  The worst part of walking The Strip, is that none of the sidewalks are constructed normally.  There are staircases and escalators that take you above and across intersections or even to the other side of The Strip.  They’re hugely inconvenient and increase the amount of time it would otherwise take you to get to places.  Other than what can be seen on The Strip and in the casinos, there’s nothing but malls, all which contain most of the same stores.  I think I must have seen about five different Swatch stores.  The only breath of fresh air was getting to ride the world’s biggest "observation wheel", which provided awesome views of Vegas and the surrounding areas.  

The Sky Roller

The Sky Roller

Above Vegas

Above Vegas

After we got lost in the Forum Shops at Caesar’s Palace (which is way too big, by the way), we taxied back to New York, New York.  After a quick rest break, we walked back to the MGM Grand to see the world famous David Copperfield.  Copperfield definitely lives up to his reputation in his show, and his comedy and zen are on full display.  I left scratching my head as to how he manages to pull off his illusions.  After this, we enjoyed a fish dinner at Emeril’s located in the MGM Grand, and called it a day.  

Sunday was the day we departed from Vegas.  All five of us hopped in a rental car and drove out toward the Hoover Dam.  The original plan was to tour the dam, but we had to get to the Grand Canyon before sundown, so we passed.  Once we were past the dam, it was nothing but desert for four hours.  It was an initial shock to us, simply because it was miles and miles of nothingness.  Being from the South, I’m used to being surrounded by trees, and mountains covered in trees, so sand and rock isn’t my natural habitat.  

Leaving Vegas

Leaving Vegas

We arrived at the Grand Canyon mid-afternoon.  Once we checked into our hotel, we drove into the park for a short hike.  I know that a family trip to the Gand Canyon sounds cliche, but it is genuinely a beautiful place.  I’ve taken the term "Grand Canyon" for granted for a long time, but I can’t stress how gorgeous a spectacle this is.  The colors of the canyon change with every angle of the sun, and once the sun was beginning to set, the sky turned pink and deep blues.  It’s an image I’ll never forget.

That night we ate at the Yippie-Ei-O Steakhouse in Tusayan, Arizona where we stayed.  If you’re ever in Tusayan, I’d recommend it; the service is fast and the people are friendly.  

Monday morning, I got up early for a five mile run.  I was unaware how cold it gets in the desert, so I ended up wearing a tank top and short shorts in twenty-seven degrees.  I couldn’t move my forearms by the end of it.  That morning, we went back into the park for another hike.  We hiked the rim to a trail that went one-and-a-half miles into the canyon.  It was windy and dusty, but we saw lots of wildlife and mules.  I also made a mini rock altar.  We then hiked out of the canyon, bussed back to the visitor’s center, and took off again later in the afternoon.  After driving through some more desert, we stopped at the Cameron Trading Post, which had a very South-Western-esc restaurant.  The place is literally in the middle of nowhere, and has a variety of American, Mexican, and Navajo.  I fancied some Navajo fry-bread which is essentially the original funnel cake. The "trading post" had thousands of different Navajo decor, clothing, and souvenirs.  The best part about the Southwest is that most of the souvenirs are authentic, and hand-made by the Navajo or local craftsman.  Of course there were plenty of items that were fake, but it was nice to have a a plethora of authentic goods to choose form.  To finish off the night we drove to Page, Arizona, and crashed for the night.

Kiabab Trail, Grand Canyon

Kiabab Trail, Grand Canyon

Rock Altar

Rock Altar

Navjo Fry Bread

Navjo Fry Bread

Tuesday we took a Navajo-led tour of Antelope Canyon, a slot canyon formed by water.  It’s a very small, narrow canyon, but the angles of the sunlight appear beautifully here because of how narrow it is.  Our tour guide, a Navajo native named Patrick, new a lot about photography and showed us the best angles to take photos from, and what settings to set our cameras to.  He also took this photo for me:



When we finished at Antelope, we headed west into a very windy afternoon.  On the way we had authentic Mexican in Kanab, Utah.  From Kanab, we drove an hour into Zion National Park.  Zion Canyon may have been my favorite of the three canyons, simply from the odd shapes of the rocks and mountains, and the diversity in geologic features.  We drove through the park to the east side, to Springdale, Utah, which is now one of my favorite American towns.  We stayed at a very nice hotel there, and everything was mostly within walking distance. I took it upon myself to take a four mile run to get acquainted with everything.  There was even a convenient shuttle bus system that ran throughout the town, so you could get just about anywhere in minutes.  The night following our arrival, me and my brother ate at the Springdale Pizza and Noodle Co.  They’ve got some of the best pizza I’ve ever tasted, so if you’re ever in town you should check them out.

Springdale Pizza and Noodle Co.

Springdale Pizza and Noodle Co.

Springdale Morning 

Springdale Morning 

Wednesday was the highlight hike of our trip, Angel’s Landing.  We started with the five of us, but the youngest of my brothers got sick on the way up, and had to go back to the room with my mom.  Me and my middle brother chose to go on ahead.  The hike was uphill most of the way, leveling out for about half a mile close to the climb.  Me, my dad, and my middle brother started the climb up the landing.  The hike to the landing is basically a big rock climb, with nothing to hold onto but what’s on the ground and an occasional chain that’s cemented into the rock.  We hadn’t gotten far when my middle brother chose to stay behind because of the heights (a reported six people have died there in the last decade).  Me and my dad were the only ones to continue through the top.  It was amazing to watch the angle of the mountains change the further and further we went up.  When we got to the top, it was a rewarding view.  There were a lot of people who had peaked by the time we got there, many of which were daring the cliff’s edges.  I took the time to have a snack, and I even had cell service, which is mostly absent from the park.  

Angel's Landing Peak

Angel's Landing Peak

The Hike Up...

The Hike Up...

After that, me, my dad, and my brother hiked down the mountain, which is actually more painful than going up.  Since most of it is downhill and concrete, my toes were beating into the front of my boots.  Once we reached the trailhead, we bussed back to our hotel.  Having been exhausted from the hike, and some of our family getting sick, our afternoon plans were cancelled.  That meant I had to whole rest of the day to do whatever I wanted in Springdale.  Once I was showered and changed, I shuttle hopped to the north end of the town.  I tried stepping into a Thai restaurant, but they didn’t open for another hour.  To kill time, I took a short walk to the library and read about thirty pages of a Stephen King novelette.  I then walked back to the Thai place, and enjoyed some delicious Vietnamese pho and green tea. Having travelled to Vietnam, it tasted quite accurate, and was very filling.  If you’re ever in Springdale, check out Thai Sapa.  

Pho from Thai Sapa

Pho from Thai Sapa

For the remainder of the afternoon, I walked my way back to our hotel and stopped at all the various shops in the town.  There was a place selling rock art and Navajo jewelry, art galleries, souvenir stores, and other restaurants. It was fun talking to the locals who owned the shops.  Most of them have lived in Springdale their whole life and see a lot of people passing through thanks to business from the park. I treated myself to a very hefty helping of strawberry ice cream, which only cost $4.  Once I had seen all that could be seen, I strolled back to our hotel, and later had southwestern food with my parents.  

Thursday we went back to Vegas, and was the most bittersweet day for me at least. After getting some souvenir shirts we piled into the SUV, and took off west.  A few hours later we were in Vegas, and were ready to do nothing at all; we were pooped.  We had a decent sized room at a hotel located off the strip which was perfect for crashing.  I got some website work done while my parents went out to eat, and my youngest brother continued his recovery from getting sick on Wednesday.  Toward the late afternoon, me and my middle brother went down to a poolside bar and grille on the rooftop.  After that we changed, came back to the pool, and I stayed for awhile sitting in the hot tub.  

Friday was uneventful.  I got up to run three miles on a treadmill, and soon after that we went to eat at an Italian place at Caesar’s which took forever to find (again, Caesar’s is too damn big).  After that we got to visit the world famous Gold and Silver Pawn Shop from Pawn Stars.  Surprisingly enough there wasn’t a very long line, though I’m sure that’s because the show has declined in popularity recently.  The visit was fun for the novelty of it, but there were some items I would’ve wished to see that they bought on the show.  Still, a lot of the stuff was interesting to see like some Picassos and commemorative sports rings.  To finish off the day, I spent another hour at the hot tub.  Saturday we flew home to Huntsville, but none of us were feeling very good from the dry air.  We were ready to be home.  Soon after was when I started feeling sick, and was admitted to the ER.  

This was a very eye-opening trip.  I enjoyed a lot of time with my family, saw some awesome landscapes, and met some great people.  I have a few new favorite places, many of which I’d like to revisit.  I also understand the full scope of geographic diversity in this country, making me appreciate it’s beauty even further.  The Southwest will hold a special place for me, and I’m eager to see what else is there.

-David Brashier; Huntsville, Alabama; April 2016

Originally Posted to MoviePilot: Why Does Dreamworks Want You To Forget The Prince Of Egypt?

Last year, I began writing a blog on Moviepilot, a sight which I haven't touched since August.  The first article I wrote on the site was an analysis of why Dreamworks seems to ignore one of their earliest films, The Prince of Egypt, from a marketing standpoint.  To date, it's my most read article at over 50,000 reads.  Upon posting it, Moviepilot began to butcher my article by removing images I used, adding in new images, and even editing my own words.  This is one of many reasons why I left Moviepilot, and am now writing independently on my site.  I would encourage you to refrain from using Moviepilot as a means of expressing your film opinions, but if you enjoy it, I'm not going to stop you by any means.

Here is the original article with some slight grammar and language edits.  Enjoy:

Why Does Dreamworks Want You To Forget 'The Prince Of Egypt'?

Long ago, back in the days when animated films weren't afraid to try something new, Dreamworks produced a little flick known as The Prince of Egypt, an animated musical about the Biblical story of Moses, and the Exodus.  Simply stating that out loud only goes to show how a movie like this was destined to fail from the start. However. Prince turned out to be not only an achievement in animation, music, and film making, but became what I consider to be possibly the greatest animated movie of all time. The film is beautiful with breath-taking shots, angles and hand-drawn backgrounds. The music is spectacular and does what many musicals fail to do nowadays, which is move the story.  However, as years go on, Dreamworks has leaned to no longer acknowledge The Prince of Egypt. I mean, it's not like it's been removed from their official cannon, and you can still buy it through film services.  But just about everywhere I look, Dreamworks is putting all of their attention toward some of their more recent successes such as How to Train Your Dragon, Kung Fu Panda, and even some of their oldies which weren't even that great to begin with.  This is very unorthodox to studios such as Disney, Pixar, and even illumination which continue to market some of their earliest movies.  

I wanted analyze this issue, and ask the question of why there seems to be a marketing prejudice to this film by its own creators.

Reason 1- Religious Aspect



Having been raised in a religious environment myself, I’ve been exposed to 2 different types of Biblical film adaptations:

The first, are very cheaply made animation segments about Biblical stories designed for children which only serve the purpose of communicating a Bible story to pre-schoolers. These do their job well, but fail to do anything groundbreaking in terms of film making, let alone don’t hold up very well.  

The second, are big budget epics based off Bible stories which attempt to put an "original spin" on such story.  These films include recent productions such as Noah, Exodus: Gods and Kings and History Channel’s The Bible. Films such as these have definitely become a trend in the last half decade. However, most of them fail to straight out tell the story, and tend to insert random content which has nothing to do with the original story. Elements like these only serve the purpose of entertainment, or for the filmmakers to give their own original take on the Bible. The only live action film off the top of my head which does this well, would be Passion of the Christ .

Prince, though technically neither of these, would probably fall into the latter category, because Dreamworks is a big budget company.  With that, it is odd that they were able to accomplish 1- A mostly faithful adaptation to the Exodus with almost no changes that would be considered too offensive; and 2- They were able to do it in an age where Biblical films (and even faith films for that matter) would crash and burn. Prince was able to rise to a level of quality that very few films manage to achieve.



So, Dreamworks ignoring this film because of religion (sort of) doesn't make much sense on its own.  In an age where we tend to censor media so as to not offend varying groups, I have read dozens of comments from non-Christian, non-Jewish, and even non-religious individuals who say they love this film. Hell, you can ask just about any movie-buff nowadays about Prince, and many are familiar with it, and love it to death. 

So despite so many people loving the movie, Dreamworks still cuts their acknowledgement from it, and I have evidence to hammer this home.

In 2014, Dreamworks celebrated their 20th anniversary by re-releasing all of their films on newly formatted DVDs and Blu-Rays. At Target, I was able to find every film they made except The Prince of Egypt. They even had a triple-feature DVD of the studios' 2D movies: The Road to El Dorado, Sinbad of the Seven Seas, and Joseph: King of Dreams. Prince was nowhere in sight. So, why the triple-feature contained the direct-to-DVD "prequel" to Prince ('Joseph' being a bland movie, and wildly inaccurate portrayal of the source material), but didn't actually contain Prince really leaves me scratching my head.  Why would they not re-release this movie, given a trend in Christian-based filmmaking, and a mostly positive public opinion?

Reason 2- The recent Prejudice to 2-D animated films



Animation nowadays usually tends to be classified "kids stuff" through the minds of general audiences-- I say usuallyPractically everyone is familiar with Pixar and their tendency to make more mature films that both adults and their kids can enjoy. Audiences in the modern age are almost entirely uninterested in seeing a traditionally animated (2-D) film on the big screen, let alone just watch one with their family. This is probably because most adults in the modern era associate traditional 2D animation as "kids stuff" because when they were kids, they had hand drawn cartoons and movies from Disney, Warner Bros., etc.; As those same people entered adulthood, the world saw the dawn of 3-D animation which seemed to be respecting the maturity of its audience.  Pixar surprised the world with Toy Story which made use of a lot of humor adults could relate to, which was mostly unseen in 2-D films at the time. Dreamworks used the same humor with their first film, Antz, which was incredibly edgy for an animated film, and a lot of adult language, a huge no-no for animation at the time.

My childhood was when hand-drawn animation was dying and shifting over to 3-D animation, so the films I saw in theaters, or at least remember seeing in theaters, were both 3D films like Finding Nemo, and 2D films such as Brother Bear or Spirit: Stallion of the Cimarron. In addition, my family owned almost every traditionally animated Disney movie from the previous century on VHS. So growing up, I was well exposed to 2D animation and I liked it. I considered it normal, and could find value in it.  This is something that most families show their kids nowadays, so future generations can be exposed to 2D animation, and appreciate it for years to come. 

Then you have some kids (which there are a lot of them) who only take interest in 3D animation. 2D, is art; It's entirely hand drawn, so it requires a lot of work, but in the end, 2D comes out beautifully and is a spectacle to look at. This is where the problem for kids comes in. Most kids nowadays just don't enjoy looking at "art". They want detail, realism, something they can immerse themselves in, and not simply watch. Kids are growing up in an era where animation has reached near-realistic levels of detail, and is being used in every animated movie, and even most shows in the modern era. 2D is still used limitedly in TV, but because budgets are cheaper, those shows are mainly generated in computers. Even then, pretty much every show which uses 2D has to make use of some CG elements in order to express certain elements of the story. 

My point is, 3D is something kids can more easily see and relate to because it looks more realistic to a child's mind. Children, until they can develop a conscience to understand what a full length film is saying from start to finish and retain it, are mainly into the film for something to look at or listen/sing to. For me, this conscience wasn't developed until I was about 8, 9 or 10, and by then, I was able to appreciate what I watched as a child all the more. So if kids are losing more and more interest in 2D because of a surplus of 3D detail, they want something they can see as realistic and can relate to, which also has the comical energy for them to watch at their very young maturity level. This is why 3D animation is the go-to for children of today, unless they are exposed to classic 2D films thanks to their parents.

Unfortunately, unless we continue to show future generations the beauties of 2D, future generations may only be exposed to 3D animation, given its rapid growth in the market. With multiple studios not willing to give 2D another shot, this outcome might be inevitable.

Now, back to Prince. Dreamworks only has a total of 4 (technically 5) 2D films on their roster. Prince definitely rises above the other 3 on terms of quality level; it's a powerful film. The other 3, on the whole, are just okay in my opinion. The animation on the other 3 are still great, but don't do achieve anything on the level that The Prince of Egypt did. So, given that Disney wasn't doing that great with their 2D films, and it was given that audiences were losing interest, Dreamworks ultimately decided to ditch their 2D projects altogether, despite some projects being very popular among audiences.

Another reason is that Disney had 70 more years worth of 2D films than Dreamworks did, so people are much more likely to go back to Disney's 2D roots than Dreamworks'. Most general audiences will even mistake Dreamwork's 2D films for Disney's because "the mouse" had dominated the industry for such a long time. 

Reason 3: Dreamworks' Recent Successes



Through most of the 2000s, Dreamworks still acknowledged Prince of Egypt as "a thing". For a long time, Dreamworks had poor success with their films all-around, outside of the Shrek series. Then Kung Fu Panda came along in 2008, which sparked a new era of breakout success of Dreamworks. This was a time when Dreamworks was finally making movies that had a little more effort and heart put into them. This, combined with the massive success brought on by the Madagascar franchise and How to Train Your Dragon (which quickly became many people's favorite movie from the studio), Dreamworks was finally making quality films, which for the time, were outdoing the Disney juggernaut, outside of their Pixar studio. 

Nowadays, Kung Fu Panda and HTTYD are big franchises. While Dreamworks recently went through another drop in quality within the last two years, they've made more money off these movies alone.  Additionally, they've found even more success from their migration into TV, Netflix, and the Internet, and the numerous direct-to-DVD shorts they put out. So, logically, maybe Dreamworks has decided that they just don't need The Prince of Egypt, as they have multiple properties that have brought them breakout success, which makes re-releasing Prince on Blu-Ray, completely unecessary. 

Reason 4: Regret



While this isn’t the strongest reason, there’s a good chance that Dreamworks simply treats the Prince era like a part of their past they wish to forget.  Between 2000 and 2004, Dreamworks was releasing some awkward films (Sharktale anyone?), which is believable conclusion;  Many studios have some trouble finding their footing in their earliest years. It still seems odd though, given that their head-honcho Jeff Katzenburg wanted Prince to be a mature story, and not a fairy tale like their rivals Disney put out for so many decades. 


If you haven't seen The Prince of Egypt, please see it. It's on Netflix, and multiple other video services which just doesn't do the film enough justice, given the spectacle that is this movie.  Dreamworks is still skeptical about marketing the film because of religious sensitivity in our modern society, a decline in use of 2D animation, and the company putting more effort into their latest successes.  Will Prince continue to be an underrated classic? I don't know.  Would I like to see it re-released on Blu-Ray? Absolutely.  It’ll take a miracle for that to happen, but still, there can be miracles when you believe. 



(Article Originally Posted March 25th, 2015 to Moviepilot account: dbrash_nation. Original article: http://moviepilot.com/posts/2811250 )

-David Brashier; Huntsville, Alabama; March 2016 


Revisiting The Giver

This past week, I grew exceedingly nostalgic and reread The Giver.  The only books I've ever re-read are this one, The Magic Treehouse books when I was in elementary school, and A Christmas Carol, which I read every Christmas.  I hadn't read The Giver since 7th grade, in which I was among the last class at my school who was taught the ins and outs of the novel.  Some teachers wouldn't even allow me to have the book out while in class.  It's been a controversial topic for many years, and I wanted to go back and rediscover the story, from a matured perspective.  What did I learn?  Almost nothing.  I was pleasantly surprised that aside from minor details about the novel's world, there were very few themes and meanings that slipped my memory. 

The book is about a boy named Jonas who lives in a utopian society where every choice is made for him.  When he is assigned to a career, he is ordered to become the community's next "Receiver of Memories", whose job is to hold all the memories of the past world so the people don't have to, as memories are seen as stressful and dangerous.  As he receives more and more memories from the past Receiver, now known as The Giver, Jonas discovers how cruel his utopian world actually is, as he and The Giver try to beat the system they are bound to.  

The themes and lessons of the novel are very important for children to know from a young age, even if they never read it in school.  I can understand why this could be banned from elementary, or even middle schools, as there are some extremes in the book that may not be deemed appropriate for a school setting. Why has it been banned?  Some believe it's because the novel is discouraging societal control, and has thus been banned by government funded schools.  Do I personally believe that? Not necessarily.  I don't think the novel goes to the extent of teaching youth at a young age to defy government, rather, be wary of the extent of executive control.  The requests for banning the book in schools over the years, were mostly placed by parents who believed the book was too extreme. The most important lessons the book has to offer, are more along the lines of teaching people to make decisions for themselves, and to be their own person, rather than allow others to define who they are.  It also shows how important it is for us to interact, and be expressive.  The book conveys all these messages through imagery, and shocking revelations in the story, which is how it has gained so much controversy, but also stuck with readers for over two decades. 

The reason I've come to realize why this book has been deemed a classic, is from just how vague it is.  The themes I've mentioned are only to name a few, and the amount of themes that any individual can interpret from the novel, is infinite.  The book also isn't very descriptive either; Lois Lowery is trying to present a mysterious world to the reader, creating a unique experience for everyone who reads it.  This lack of descriptiveness is part of what makes the novel so short of a read, and also what makes the world so frightening. The ending isn't definitive either, so discussion for its conclusion is infinite.  I believe this is the reason why the film adaptation which released in 2014, didn't do very well.  The book has such a cult following, and allows for so much breathing room for the imagination, no one wanted their interpretation of the film to be ruined by a Hollywood blockbuster.  It only goes to show the strength books can give readers to keep the story the way it is, and preserve its message.  

So, my revisiting of the book wasn't as much a means of looking back with mature eyes, but a realization of the book's importance, and what it has fundamentally done to earn that importance.  It's so explicit in message, yet so vague in and of itself, it has gained a massive following of people who wish to preserve its content, so future generations will still be able to discover and lean it.  The Giver isn't as much a popular novel, but a powerful vessel for preaching thoughts and ideas.   As long as we continue to pass these ideas on, the legacy of the book shall never fade.  Currently, it isn't bound to happen any time soon.

-David Brashier; Huntsville, Alabama; February 2016

Book Review: The Cycle of Ages Saga- Sands of Sorrow

The Hicks/Hayes duo returns to their novelized nightmares in the Cycle of Ages: Sands of Sorrow, a novel which once again challenges the imagination with fantasy, character, worlds, and other-worlds.  Sands of Sorrow, much like Finders Keepers, contains the typical Hicks/Hayes slow beginning.  We find the surviving trio from the first installment, in a completely new location from where we last saw them. Significant time has clearly passed, as the trio are attempting to find the remaining parts to their newfound vessel, The Seadragon. They are also accompanied by new characters, a roster which quickly grows to more.  

From the beginning, the scale of Faltyr is expanded, in which we now encounter vast cities, and mass mountains, a great setting change from the small island region of Finders Keepers.  Despite the slow start, our characters quickly find themselves in need of giving their all in an ambush attack, in an attempt to flee the city in which they are among the hunted. The escape is very wel executed, and reminds readers about the sheer power of magic that exists in Faltyr.  They quickly escape with a band of prisoned elves, some of which may be holding some secrets, and go into hiding into the post-apocalyptic desert of the Sands of Sorrow.  From here, the story takes on a Mad Max: Fury Road chase sequence, in which the rag-tag band of mercenaries must choose fight or flight instinct in accomplishing their goal, while also being chased by their pursuers.  

A drawback to the novel is that there is a very broad cast of characters to contend with, as well as remember their purpose in the story.  However, this is more than made up for by improved character development for our original trio, Dor, Yax, and Bruexias, as well as some of the new additions.  Dor, who was a stick-in-the-mud wizard hell-bent on his own goals in Finders Keepers, is now given more time to develop, as well as emote; he can be serious, sad, humorous, and even romantic throughout the story.  He is under much less stress in this installment, and is a much more enjoyable character to read about.  Yax is given development, both in his emotions, but also in his abilities and lore.  We learn more about the elven world by allowing him to interact with his own peoples, and even a love-interest, whereas in the first installment, he was simply a skilled fighter.  Bruexias, who was in the same boat as Yax in Finders Keepers, is given development in his willingness to fight for his friends, and this time his family.   A character who was once a brooding no-nonsense fighter, now becomes an emotional character with much involvement to the story. 

The fuel to this great character development, is the clever use of having the characters separated through most of the novel.  It is here where the characters must work off of themselves and new comers, in order to advance the story.  If they were separated only for the purpose of getting lost and finding their way back to the group, it wouldn’t have been very interesting to read about, and readers would find themselves longing to get back to Dor’s portion of the story.  Instead, the actions of both groups, affect the other.  

Action is at its very greatest in this novel.  With twists and turns and ridiculous use of Aether magic, there is no telling what is around the corner as to how our characters fight.  Especially from the character of Dor, who comes out of his shell in this novel to get up close and personal to his contenders, rather than sticking strictly to magic.  Even then, his magic is some of the most fun sequences in the book.  

It is not only the action that develops in this one, but also the lore and myth of Faltyr.  Unlike most portions of lore in Finder’s Keepers in which the mystery of Faltyr had little to do with the actual plot, the legends of Faltyr and its gods mesh entirely with the story, which is all tied up in the ending.

Sands of Sorrow manages to surpass the quality of its predecessor, and makes the reader want to continue turning pages until they’ve realized how much of their time has burned away in the fires of the Nine Hells.  Give this one a read for an acid trip of action and fantasy.

-David Brashier; Atlanta Georgia; January 2016

You can order the novel from Amazon here.