I continually find Young Adult fiction to be a gamble, and many agree with me. The idea of grown adults writing from the perspective of teenagers has become a bit of a controversy. All too often, YA novels come off as over-exaggerated, philosophical TV meals filled with excessive rebellion and far-out youth fantasy. This isn’t to say that there are no good products in the YA genre. Some YA books have defined generations, and some even contain literary merit and messages that resound beyond their intended audiences. Hunger Games, anyone? But for every one of those, there is always a slush-pile of bland YA which, while they receive renowned critical praise, don’t mix well with the majority of real teenagers.
Jesse Andrews is a prime example of wheat from chaff when it comes to YA. His first book, Me and Earl and the Dying Girl, was not only a major critical success, but was adapted into a highly well-received film. The book was a investing examination of death from a teen perspective, accompanied by characters and dialogue which felt real for young adults, not fictional young adults. His second book, The Haters, just might be even better.
The Haters is the account of Wes, Corey and Ash, aspiring musicians who ditch a jazz camp in Shippensburg, Pennsylvania. They all love many different types of music, but at the same time always find excuses to hate on said music. They particularly hate their jazz camp, which is why they play the runaways, start a band, and go on an unplanned tour. The shenanigans which follows is a hilarious, yet heartwarming journey of a band trying to find its footing in its music style, all while learning more about each other and their own convictions.
Haters hooked me early on with the very subject of its title: loving on music, yet hating on music. Though it’s an astoundingly obscure concept, it’s one I found relatable. I love a lot of different music genres and artists; I’m versatile in my preferences. Yet I can see a lot of flaws in those same artists, or can at least understand why other people hate on them. For instance, my favorite artist is Phil Collins. I love his songs for his unique, passionate voice and stylistic sounds, as well as his use of drum machines which made him famous. Yet I can also understand why he isn’t perfect, and why other people wouldn’t find him to be that captivating of an artist. He’s victim to a lot of corporatized music between TV, film, and his excessively popular Disney soundtracks. He also tends to be too pop and not enough rock, which many argue is what made him go off the deep end. I stand firm in why I like him, but I can see eye-to-eye with those who don’t. This isn’t something I’ve communicated with people before, let alone heard other people bring up. It’s a concept that only Andrews can feasibly put to paper, and in a relatable way, too. He has such bizarre ideas but he can make them so down-to-earth through his characters, which is why he has mastery of the YA craft.
The Haters has what many other YA books don’t, and that is real characters. They aren’t fleeting rebels whose dialogue only consist of self-centered, snarky comments about everything in existence. They feel like real people, and a real group of friends. Their conversations between each other feel like ones I would have with my own friends. What is important to note is that these conversations feel like real teenage conversations, not how young adults think teenagers speak to each other. They also don’t spew re-heated philosophy in all their dialogue. While such works of fiction should contain some reasoning and philosophical thought of young minds, there are some books I read in which the characters think they are modern-day, moody teenage Aristotles.
In terms of the plot, while the concept of taking a, mind me, very spontaneous road-trip seems far-out, the way in which it is executed didn’t leave me questioning it. It simply happened. Part of this is because Andrews is to-the-point in executing the plot. We don’t spend much time at the jazz camp so the story can gain some momentum. The road trip itself puts the characters in a variety of situations as they attempt to make a name for their band, as well as contend with group conflict. In addition, The Haters is quite the funny novel. I haven’t laughed this hard at a book in quite a while. Not only is the dialogue hilarious, but Wes’ internal monologues contain all sorts of scatter-brained ideas and Andrews even employs clever graphics to express his feelings. Wes, Corey, and Ash encounter a colorful cast of characters on their journey who are equally hilarious. Some want to help them and some want to kill them, and the variety of ways everyone goes about doing so make for a laugh-out-loud piece.
By the time The Haters reached its end, I was left wanting. This is something difficult for a book to do, especially YA fiction. It doesn’t give the reader full closure as to how the group would have become a band, but leaves a desire to see them as a band and succeed. It smartly leaves us asking questions, yet longing to see what could have been with these characters.
Jesse Andrews is making a real name for himself in the YA scene, and with only two books under his belt. Given the success of Me and Earl and the Dying Girl, I wouldn’t be surprised if The Haters is given a film. In fact, I really want to see a film adaptation. I definitely want to review Me and Earl at some point. It’s a very well crafted book for its subject matter and the audience it is intended for. Is The Haters better than Me and Earl? Perhaps not. All said, it is much funnier, faster paced, and more light-hearted. But Me and Earl tackled such a pressing issue and has resonated with a major cult-following. The Haters will hopefully hold its place with Andrews’ reputation. It’s YA at its finest, and a book that I feel many will find entertaining.
-David Brashier; Boone, North Carolina; September 2017