What is the typical go-to means of describing a good sequel? You guessed it! Simply refer to it as "the 'Empire Strikes Back' of the series". I would say the same for The Scholar, The Sphinx, and The Fang of Fenrir, but I’d like to draw an analogy from another ’80’s film series: Back To The Future. Back To The Future is its own self contained story which hints at a continuation. Back To The Future Part II functions on its own as a sequel, but the ending drives on the fact that the over-arching story of Back To The Future needs to be concluded in a third installment. This is very much the backbone to the plot of the second novel of the Scholar and Sphinx series, even though the device somewhat works against it.
Fang of Fenrir begins eighteen months after Shades of Nyx. David Sandoval is happily married living in Paris, and business is well. When a creature arrives on David’s doorstep which inflicts him with accelerated aging, David instantly knows something is up involving the Curtain. He is sent on a journey to find a means of curing his aging, only to discover that a dark creature is after him and something he owns. David is accompanied by a new ally, a witch named Baba Yaga, who begrudgingly agrees to assist him on his quest. With Baba's help, David scrambles up his former allies from the Curtain in order to discover the beast that’s after him and how to defeat it, all while being pursued by some familiar faces.
Anyone who gushed over the whimsical and nonsensical fantasy world Cook presented in Shades of Nyx will love it all the same, if not more, here. After such a zany first installment with off-the-rails logic, I had no idea how such a world could be more imaginable, but it still manages to deliver through awe inspiring mythology and magic. The mythological elements in particular work to Fang of Fenrir’s advantage. So much of the world and characters rest on a diverse range of humanity’s mythologies which seamlessly blend in a world where Thor may as well sun-bathe with Ra.
The world of Scholar and Sphinx is also much darker this time. With more threatening villains poised against the characters, the darker tone feels appropriate. The first novel played it safe for the most part, and while the second is still clean and appropriate for children, it does deal with some darker, sometimes gorier themes. It’s still nothing younger readers won’t grow used to after reading the first book.
The introduction of Baba Yaga was much needed, as she is an all-around lovable character. Her magical abilities feel appropriate to assist the characters when necessary. She is with David for a majority of the plot and her presence brings something new to the story. They have great chemistry together, almost better than David and Acacia in the first book, and they both console each other in their weaknesses and struggles.
The reason I feel so strongly for Baba’s character is because, aside from our hero, David, the returning ensemble from Shades of Nyx doesn’t bring much of anything new to the table. A. R. Cook’s ability to express genuine emotion and bonds between the characters is still present, no doubt. But the relationships between the returning characters don’t really evolve. This is especially jarring, given how well David and Acacia’s relationship was handled in the first book. I was without a doubt excited to see so many faces return, but most of them are the same people they were at the end of Shades of Nyx. After so much outstanding character and relational development seen in the first book, there was much to be desired from the sequel.
Where Fang of Fenrir ultimately falls flat is in its plot. This book, for it's length, needed to be more jam-packed with some excitement. I get the feeling that this and the third book should be one long arc, but are instead split into two shorter parts. The story opens strong, and the entire first act is very well orchestrated. The darker tone is on full display, and readers get a sense of the stakes threatening the characters. The second acts becomes sluggish after its opening, and mostly involves characters going to various parts of the world to find items with little to no action. With that, the climax, though well handled and grand in scale, doesn't feel earned.
The goals of the villains are also extremely confusing. Not only is there a new villain, but a villain from the first book returns, and a reincarnation of another villain from the first book appears as well. It's a great match-up, and all of them essentially have the same goal of defeating the hero characters, but they also seek control of the world in their own ways. It’s unclear who is manipulating who to achieve the other’s goals, and which of them has more power over the others. It not only creates a disconnect between the reader and the villains, but it gives the hero characters too much busy-work and exposition in order to defeat them which is why the second act can be so slow. I have no doubt that the villains will come full circle in the third novel, but there could have been some more clarity in this one.
Don’t get me wrong, though I have my gripes with the plot and character development, Fang of Fenrir is far from a bad book. Much of what was good about Shades of Nyx is still there, and there is plenty of it to be enjoyed. The cliffhanger at the end has me curious and excited as to how the series will conclude. Perhaps I simply need to finish the series to appreciate the overall arc. But with a slow second act, minimal character development, and some confusing villain goals, it leaves much to be desired after such a strong predecessor.
You can purchase The Scholar, The Sphinx, and the Fang of Fenrir from Amazon here.
-David Brashier; Huntsville, Alabama; July 2017