It’s always a joy when a novel labels itself as one thing, yet manages to deliver something a little more than that. The first installment in The Galactic Satori Chronicles, Earth, manages to do just that. It’s a "space opera" which is a little more down-to-home in its story and characters. This should be expected, given that the title is 'Earth’, yet it simultaneously introduces an inventive, expansive universe for a space opera. Unfortunately, we don’t get to encounter much of that universe, which makes me question how this book can be a space opera.
Earth follows the story of eight individuals on Earth who are predestined by an advanced alien race called the Aliri to save Earth from impending doom by a malevolent alien race called the Kron. It sounds confusing, but it’s easy to grasp. The Aliri enhance the humans with superhuman abilities in order for them to outrun and outwit the Kron. The story follows the group as they discover their newfound abilities, learn to use them, and learn to work as a team, all while discovering their destiny of saving the planet. It’s a gripping, awesome concept which had me hooked from the get-go. The execution of the concept was less than stellar.
Firstly, allow me to elaborate on the positives of this book, because there are many. In terms of sci-fi, it explores a lot of interesting ideas about alien races and how they would seek to destroy or aid us. It explores the concept of aliens controlling us from lightyears away all while tackling our mental flaws. It also lends itself to the idea that aliens will destroy us from within, by hiding among us and influencing our leaders’ decision making. It also introduces the idea that aliens aiding us might have to harm us to ensure our survival. On top of this, everything about the alien species’ cultures is damn interesting. Whenever the perspective shifts to them is when the book is at its best, and I was all ears. Unfortunately, we don’t stay with the aliens very long.
The book spends the majority of its pages following the savior group, and these sections are mostly busywork. Don’t get me wrong, there are still positives to be drawn. First off, the entire first act is well handled. We get to know the characters as they interact with the mystery of the aliens, meet each other, and ultimately encounter the aliens. The entire second half of the first act is the main octet learning how to pilot a spaceship, and, though it drags some, it’s cool when executed. The characters work off of each other and their interactions feel genuine given their situation. Secondly, I care for each and every one of the characters. They are written as genuine people, and I sympathize with their backstories and circumstances. The biggest problem is that the story drives too much on these characters’ personality traits, and not enough on telling the story.
The book constantly reminds us who is who by giving each character an obnoxious quirk which the dialogue and/or narrative constantly rails on. One of the characters is lusty, and the reader is constantly reminded that he is lusty as he goes after every girl he lays eyes on. This character happens to be the main character, and his lust isn’t resolved by the end. Had there been some kind of resolution to this trait, it would have made his lustiness worthwhile; but there isn’t, so it’s just filler. The fact of the matter is that the reader doesn’t have to constantly be reminded that a character is smart, or a dweeb, or lusty, or heartbroken. It spends so much time leeching off these character traits that the story has very little momentum. Because of this, when the characters return to Earth and leave the spaceship, the second act goes downhill because it is almost completely character driven with little to no sci-fi elements present. The book explores destiny and self-discovery, which isn’t a bad thing, but when obnoxiously written personality types are all there is to be explored, it makes for a dull story.
This leads to what is without a doubt the biggest problem with this novel: It’s too damn long. Had Earth not spent so much time on the characters’ personalities, it could have easily been at least 100 pages shorter. This book is also victim of going into too much detail during action scenes. I don’t need to know everything a character is doing with a weapon as they are trying to use it. Just tell me what’s going on in the action scene. The book is inconsistent in this respect because I recall dozens of events which were described summarily because the writers knew it would go into too much detail. Why can’t that be exercised throughout the whole book? The length really becomes a sore when the resolution finally arrives, which is unfulfilling and leaves much to be desired. It also blatantly informs the reader that there will be a sequel, giving zero clues at to what it will be about, as well as undermining the fact that it failed to answer many questions posed throughout the story. Also, for a book called Galactic Satori Chronicles, it fails to even address what the Galactic Satori is, or are.
Where Earth ultimately falls flat on its face is its failure to pursue what would have been a great concept which was delivered upon a silver platter. Every time the aliens are at the forefront in the story, it is investing as hell. The problem is that we rarely, and I mean rarely, encounter these aliens. Instead we have to spend time with enjoyable, yet poorly handled characters as they slug through a poorly handled story. Had the aliens been more liberally used in the plot, I have no doubt this would have been a much better novel.
Earth, as an introduction to a series of books, failed to deliver and hook me as a reader. What concerns me is that Earth has a sequel, which I own and intend to read. My sliver of hope is that the title and cover indicate that the characters will be traveling to (and hopefully interacting with) the aliens and their planet. Also, this is Nick Braker and Paul Hicks’ first novel, and writers always gain experience from their first work to their second, so I am open no doubt. Here’s to hoping the sequel will be a more worthwhile story.
-David Brashier; Huntsville, Alabama; May 2017